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– Echo (gemarrs)

May I count the times you and I have heard “Practice makes perfect”? It’s stressed so often how practice is vital in learning and improving your musical skills on any instrument including the guitar. But how many days out of the week do you actually feel like practicing? Maybe a couple, maybe every day, maybe even only once a month. So how do you make yourself more prone to practice more often?

You decide to discipline yourself to.

Now when you hear the word “discipline” I’m not talking about a belt to the ass. I’m talking about self-discipline.

Self-discipline is the willing mechanism to make yourself improve on whatever it is you are doing. It plays a vital part in your musicianship, and if you are real about wanting to be a good musician, this is the heart and soul of your way to be one. It is the process of making the habit and second nature actions to get you where you want to go. In the case of learning to play the guitar, it is not just about motivation and passion. Although those are very important aspects of practice and improvement, they are completely useless and non-existant without having the self-dicipline to stick with it.

When you decided you wanted to play the guitar (or whatever instrument it was you decided on), you might’ve been absolutely passionate about the idea at that time. Some of us are naturally so fascinated by music with every bone in our body that the discipline to stick with it comes second nature. But not all of us are like this. Some of us are just curious about what it might be like to go out and buy a guitar and watch a video and see if we like it. In the latter case, people usually end up falling off the ladder early in the round when they are just starting. Sometimes we don’t have the time to play, or we decide that we feel it is more frustrating work than any enjoyment we expected to get from it. By deciding to use self-discipline to dedicate yourself to it, all of these obsticles will be eliminated and you will find yourself becoming more and more developed into your practice.

Developing Musical Discipline

Disciplining yourself to be dedicated to your instrument begins with at least four different steps:

  1. Accepting musicianship
  2. Adopting your instrument
  3. Creating a routine
  4. Joining other musicians

These are the four that I picked out. Other guitar teachers might mention these and others, or maybe use a different approach altogether. For the record, there is not only one right approach, but this is the approach that I brought myself up on as I improved my guitar playing.

1. Accepting Musicianship

Bear in mind, this blog site is aimed at those who deeply WANT to be really great and dedicated musicians. If this is not what you want, reading this will probably just be a waste of your time and you wont get much out of it.  If you’re unsure as to whether or not you really want to, reading this entry may very well help you begin to decide. The fact is, if you actually expect to get anywhere on the guitar, you have to actually WANT to. If you expect to be an exceptional musician, it’s not going to work by making it a small side chore throughout the span of a year. Amateurs who decide to make their practice something they just do when they are bored never get anywhere. You need to be clear about a few things here: first, that you really want to be a great musician, not that you just want to be someone who just knows how to play.

Before you really start dedicating your time and effort to practice, take some time to really think about the idea of YOU being a great musician. Imagine it in your head, swirl it around, really let it sink in everything that it will mean for you wield this skill. Don’t just think about the idea of getting rich and getting laid. DO NOT let your mind become slave to that idea. This is about what music itself means to you. Pop in your favorite artist, put on some headphones, close your eyes and absorb every ounce of feeling from the music. Absorb its essence and let it teach you emotioanlly and spiritually what it is about playing music that empowers you internally and externally. This is what its all about. You have to let this energy surge and build up. It should open your mind and your heart to completely and genuinely want and long to speak out.

By this time, if you have really let it sink in, you’ll know for sure if you are deeply ready to dedicate yourself to this future of creating music. Keep in mind the idea that this feeling that hit you is exacly what you will one day give to others.

2. Adopting your Instrument

The previous step, however long it takes, will motivate you on a number of different levels. If you didn’t have a guitar at one point, it can push you to go out and buy one. Frankly, having your own guitar is the absolute first essential to everything else. How could you properly learn to play guitar if you’re always having to borrow somebody elses?

Having your own guitar is like having your own best friend who lives with you every day. The awesome thing about this best friend is that they don’t eat your food, mess your house up, spend your money, or get on your nerves in the ways that an actual roommate might. This guitar is not only going to be your best friend but it is going to be a part of you, physically, mentally, and emotionally. It is like a soldiers gun in the heat of battle. It will never leave your side, it will never cheat on you, and it will never lie to you. It is your baby. Give her/him a name. Clean it, take care of it. If it is your first guitar, it should be immortalized even after you don’t have it anymore. My first guitar was a Harmony electric. It was just about the only real friend I had for years, and it was more dedicated to me than just about any friend I know of to this day.

3. Creating a Routine

The next essential step is the meat and potatoes of disciplining yourself to play. Practicing is not just about picking up a guitar and spending a half hour to an hour of some day out of the week to get a little better at what you’ve most recently learned, whether it be a cover song, a scale, a chord, or a picking technique. Just like any other kind of practice in any other field, your mind and your body has to adapt to it. Your fingers are going to stretch, calisses on their tips are going to form, and mentally, your brain is going to go through a big change in function as well. Playing most instruments (guitar, piano, etc), requires bimanual hand movement which requires more use of certain parts of the brain that you never, or much less frequently used before. For example, on the guitar, if you are right handed, you will be using your left hand eventually as a prime focus for traveling the fret board, while your right hand moves in the background to pluck the strings. In this way, your practicing routine is absolutely vital for exercising your brain to adapt to bimanual usage of your hands.

Probably the best guitar student I ever had, had one of the most dedicated routines I’ve yet to see in anyone I’ve taught. They spent at least half of every day to their practice. Every morning they would open their eyes, stretch, get out of bed and go strait to their guitar to warm up their fingers on the guitar before they even ate breakfast. After 30 minutes of warming up his fingers, he would put the guitar down, go eat breakfast, come back, and begin reviewing every single cover song he’d learned since he began playing the guitar. Afterward he would practice scales and chord changes he had learned both from me and from the cover songs he had reviewed. Finally, he would pick out one or more new cover songs to learn, get out his tablature books and CD’s, and spend the next hour or more learning them. This went on for an entire summer (since he was out of school and playing the guitar interested him more than sitting around with friends most of the time). The great thing about it was it never had one interruption in it. Today he plays twice as good as I do! Later in future entries, I will lay out some good templates of routine for different kinds of people who have different schedules of their day.

4. Joining other Musicians

It is said that with anything you want to absorb, using the people around you gives you the best support for it than anything else. Think about religion and church gatherings. Think about study groups in school. Surrounding yourself with people who are also learning what you are learning is one of the best ways to stay motivated and learn new things. (Just stay away from the evil cults 😉 The best people to surround yourself with are those who are much better than you. It’s a proven fact that the more one absorbs information from being around an expert of what they are learning, the faster they open up to, and learn it themselves. Also, these people are great mentors for you to look up to. Never under estimate the influence of people. Just be sure that they are not people who are a bad influence otherwise. If they are into drugs and alcohol and have a larger problem with managing themselves than they are good at being a decent influence to those around them, they are most likely not who you want to be around. If you want to stay dedicated to your musicianship with no distractions, the best thing to do is surround yourself with people who will ONLY provide that kind of support for you if anything.

Being a growing musician should not be mistaken as a pass-time hobby. The better the musician you want to be, the more drenched in music your everyday life should be. Who’s ever heard of the guitarist who never listens to other artists more than once a week? If you really want to be good at it, you have to eliminate all unsureness about it and just decide to emerse yourself in it.  If you want to enjoy it, make sure your guitar is one that will not only provide the best exercise for your fingers, but also the best sound. If you want to understand what it is you want to play, listen to music all the time. Study it inside and out. When you practice, make it a part of your day that must exist for your day to be complete. Go out and talk to others who make it a regular part of their day, whether its over an interenet forum, or in your own neighborhood. Whatever you do, adopt every aspect of your playing into every fiber of your being. The discipline of playing your instrument will come more naturally with each of these aspects you accept to focus on.

In future entries, I will more specifically elaborate on the idea of the routine of practice and learning. The point of this entry is that if you are going to spend any time trying to learn whatever instrument you are learning, you might as well make it worth as much of your attention as possible. That is the key to becoming a great musician.

Why do you play?

Many people become musicians for different reasons, even if they are slightly different. Some people play to express some place inside them that they cannot express any other way. In this way, they are able to relieve stress and feel more emotionally free in ways that they cannot otherwise. Yet, sadly to me, there are actually people who simply use playing an instrument Only as a way to impress others. I once asked someone what their motivation was to play the guitar and the answer they gave me was “the girls!” The girls? The way I see it, girls should not be seen as a reason to play. Their attention is great as simply a result of good playing, but never the reason.

The intentions a musician has for why they play holds a huge role in many aspects of whether they are good or going to be good or not. If one’s intentions to playing the guitar is genuine and valuable to them on a deep level, then it will also be genuinely valuable to all who listen to it as well.

What a musician writes and plays is a reflection of themself and who they are and how they feel. If someone learns to play the guitar with it stuck in their mind that they only want to impress somebody else, then maybe someone might be impressed, but it will only be shortlived since no emotional or intellectual value will be sprung from it. However, if someone brings themself up as a musician through a passion rooted deep inside of them, created by love, hate, conflict, or simply artistic abstraction of another sort, it will glow of emtional value to the listener, and it also gives way to that musician’s own personal voice.

What is your voice?

Every genuine musician has their own voice. The voice I speak of does not only describe a vocalist and how they sound. This voice transends all musical mediums. Guitarists even have voices or styles of writing. They have a certain sound to their melodies or their fluency of play. Some are more rough, while others are more elegant. Some are more basic sounding, while others have a much more dynamic and complex template of melody and rhythm. There are many aspects of a musician’s voice and as a learning musician, it is very important that you are conscious of yours.

When you play the guitar do you enjoy playing faster melodies or slower more basic melodies? What frets, scales, and chords are your favorite and most used? What kinds of cover songs do you play most? How does your original material reflect the cover songs that you’ve learned?

Letting Yourself Improve

Probably the most important questions afterward would likely now be: Are you satisfied with your style? What kinds of things about it do you think could use improvement? What kinds of things do you think need toning down even?

As a growing musician, these things are very important to consider. Not only does considering and acting upon these questions raise your consciousness of your own playing, but they give you a huge opportunity to improve your ability and performance, and afterward they begin sounding even better to the listener.

You might be someone who is thinking “I’m perfectly satisfied with my playing.” and feel that there is nothing that needs improvement. And that is fine. But one day you find yourself getting bored with the one style you’ve been using for years. Guitar riffs begin all sounding the same or more similar to each other, or start to become more basic and less colorful than you eventualy realize you really want.

To me, a style of play is like a reflection of one’s own mental consciousness. In your head, you can learn things after a few years, and then stop learning things and only know what you’ve learned and nothing more. Eventually, the information you’ve known for years becomes used out and now holds less value. On the other hand, when one accepts the fact that there is always room for improvement, they will  discover that letting themselves learn new things non-stop actually reaps a surmountable abundance of skill, thereby opening up more access to their natural talent to play.

The idea here is that letting yourself improve even after decades of playing is extremely important for your growth in the world of music. Accepting that it is okay to keep learning new things (methods, added style characteristics), is a fundamental part of being a musician, no matter what it is you’re playing.

These fundamentals are only 3 of them, out of many more that I will be discussing in the future.

If you have any comments or questions, or want to add to any elaboration to these, feel free to comment here.

First Post


After a good evaluation of topics that I can actually create value from, I’ve decided to open up this new blog about learning and playing the guitar.

The first few posts aren’t going to be glamorous or fancy since I’m simply working on getting Something out there for now and building on it. I might not even write in it very often at first. But as time goes by, I’ll be building this place to its eventual full potential in helping people to stay movtivated and focused on the discipline, determination, and passion of improving their guitar playing and becoming reputable for it.

Just bear with me here. It might be a slow start, but with your help and input on my posts, I’ll be able to know what things give out most value to you, the reader, and this place will start picking up a lot of momentum.